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Kairon youtube11/12/2022 ![]() While the younger Gurinder remained Congressman like his father, Surinder later joined Shiromani Akali Dal. Partap Singh Kairon had 11 children, including Surinder Singh Kairon, Gurinder Singh Kairon and Sar Brinder Kaur respectively. He was impressed by farming methods practised in the U.S.A and hoped to replicate the same in India later. He also received his Master's degree in Economics from University of California at Berkeley before going to Michigan. He received his Master's degree in political science from the University of Michigan. During his time in USA, he supported himself by working on farms and in factories. Brown Cambridge School in Dehra Dun and Khalsa College, Amritsar and then went to the United States for further studies. His father, Nihal Singh Kairon (1863-1927), was a pioneer in initiating women's education in the province. His grandfather was Sardar Gulab Singh Dhillon. His last name was taken from the village of Kairon in the Amritsar district, of Tehsil Tarn Taran in province of Punjab during the British Raj era. By adding layers of shoegaze guitars, synths and the aggression of '70s proto-metal results in a soupy stew of noise which although can be a bit much at times, it’s an intoxicating listen.Partap Singh Kairon was born on 1 October 1901, into a Dhillon Jat Sikh family. Taking the atmospherics of prog and the propulsion of krautrock is pretty much just channeling the early works of Kraftwerk, Neu!, and Can, the inventors of that sound. "an Bat None" is another example of how you can make something beautiful from chaos and make it sound cathartic, the introduction of a swirling rave synth chord adds another layer of delirious discord.Īn aggressive shift in sound is achieved by stripping everything back to just synth and percussion, on "Mir Inoi", a weirdo space jam which sounds like a lost track by prog legends King Crimson, while the synth solos of instrumental "Hypnogram" modernizes the freak-out music of Amon Düül to brilliant effect, here they are firmly stuck in a mid-seventies' prog vortex. "Welcome Blue Valkyrie" slows the pace a little but ferocity levels remain high, the multiple layers sound like dozens of guitars all sync’d while playing slightly differently, the intensification is enveloping. The three-minute slow build of angular guitar, swathes of synths and trudging hip-hop beats of "Psionic State" dramatically speed up before exploding into a thrilling piece of kosmische tension using the calm vs chaos, quiet/loud/quiet technique created by Pixies, as an opener it screams out for attention, and throughout Polysomn it’s made inherently clear this isn’t background music. Vocals are reverbed so much the distant sound of them acts as instrumentation, and the album excels when there's no vocals at all as then you can truly appreciate the sheer noise they're capable of. Chile's Föllakzoid stay firmly in the electronic area, while France's Slift and fellow Finlanders K-X-P re-model the grind of Hawkwind and Black Sabbath, on their third album, Kairon IRSE! go for the jugular by making an almighty racket which channels My Bloody Valentine in their noisiest moments as much as the mechanic percussion of Can. ![]()
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